Hey! I forgot how completely awesome process threads are. Luckily, Jay Ryan and Aaron Horkey stepped up and did an amazing one, and made me realize- oh yeah, I’m stupid for not doing this more.

Those cats are really, really bad. I had the general idea for this a few months back and once I sat down to start drawing it, it went in a slightly different direction than I started. I really didn’t plan on putting a shark back there, but I was leaving that space blank for SOMETHING, and then I thought what would cats want more than an aquarium full of fish. And THEN I thought a GIANT fish in the tank would be funnier. AND THEN I thought a shark is the most awesome fish in the world. And, once you think of a shark in a tiny tank, you can’t help but think of Damien Hirst.

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“Whom do you plan on telephoning?”

“I greatly enjoy the way Busting feels.”

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A couple of weeks ago, Derek over at Drymounted.com had an open call to his readers for questions to be posed to me, with the top few questions that got the most votes would get answered.  But because I love to hear my own voice, I said I’d answer them all.  So, reprinted with permission, here is way more information than you wanted to know about me-

1. What advice can you give to artists starting to market their work on the internet? Which artists inspire you to create new drawings and designs?

Step one- do art. Step three- profit.

I wish I could say- do x,y,z and that will bring you fame and fortune. But man, there is no method. If I hadn’t learned every aspect of the business side of things while curating the Alamo’s poster series WHILE ALSO spending way too much time learning how to draw and print, WHILE ALSO building up a ton of contacts along the way, I wouldn’t even be at my meager position. There is no set way to go about it- but one thing I can’t emphasize enough- cover your ass. Learn the business end of things, and just hammer away at it. Don’t settle for what other people give you- you have to carve your own chunk out of the beast. That’s my motto, I guess- don’t settle. Get out there and take.

As far as what artists inspire me- I think my influences are pretty evident. I’ve been a comics junkie for decades now, and that shows pretty heavily in my work. Building the Alamo series exposed me to a bunch of new artists and guys like Tyler Stout were a big influence. Seeing his work was like seeing a new way how to draw- a new problem my brain just had to solve. I’ve definitely spun off in my own direction over the last year or so, but that was a starting point, to be sure.

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Instead of me EXPLAINING what The Intergalactic Nemesis Trans-Media comic book / Live Action Graphic Novel I’m drawing is…

I’m going to save about 10 mins of talking and just SHOW you-

The script is by Jason Neulander and Co, and I’m doing all the drawing!  This particular chapter was colored by Paul Hanley.

The actors and Buzz Moran on sfx bring the script to LIFE on stage.  The whole thing is set to debut at the Long Center for the Performing Arts here in Austin TX over Labor Day!

Now…I just have to actually finish drawing it…scary.

The video you just saw was pt2, but pt1 is on the other side of this JUMP!

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My follow up to the now sold out ‘White Dragon’, “If Only You Could See What I’ve Seen” went up for pre-sell last week, and is now printed and shipping out to those people on the mailing list who bought one!

The next shot to pick one up is at the Nakatomi Inc / Clint’s Prints booth at Flatstock Austin this weekend (March 18-20)! Flatstock is held at the Austin Convention center, so come on out and pick one up! Any remaining copies will hit the Nakatomi site the following Monday morning (the 22nd).

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